MARKETING

EX MACHINA

UK POSTER:                                                                                      US POSTER:

The Ex Machina posters are quite similar, except the shot distance and background colour.

The US poster exposes more of Ava's body, displaying clearly that she is not human, also there is a tag question on the poster which gives an inkling to the film whereas the UK poster doesn't.

UK TRAILER:

The UK trailer uses music by DJ Shadow and doesn't expose too much of the story

US TRAILER:

The US trailer seems more intense and makes the film seem more action-like
Both trailers hint that Ava will overcome her creator, but the UK one leaves more question surrounding it.

TEASER TRAILER: 30TH OCT 2014

FIRST TV SPOT: APRIL 10TH 2015 (US)

OFFICIAL TRAILER: 31ST OCT 2015

SYNERGY MARKETING: 
1) Ava's Tinder and Instagram account
2) SXSW Exposure http://www.bbc.co.uk/newsbeat/article/31920480/tinder-user-falls-for-robot-woman-at-sxsw-festival
3) DNA films, Film4 and Universal Pictures contributing to the films production and distribution
4) Ex Machina twitter page @ExMachinaMovie

MAD MAX FURY ROAD

UK POSTER:                                                                            US POSTER:

The UK poster gives more information about the production and distribution of the film as well as more actors being shown.

A closer image of the characters has been used for the US poster which would draw more attention to them. 

The UK poster has a lot more mise-en-scene in the background making the poster more exciting as more its going on.

UK TRAILER:

US TRAILER:



The music is very different in both trailers. The Mad max trailer had much more aggressive music which builds up a lot more tension.
More of the plot is shown in the US trailer, allowing viewers to know what the film is about, also
there is a lot more narrative in the US trailer which would indicate what the characters are like.

TEASER TRAILER RELEASE: 27TH JULY 2014
TV SPOT: 29TH MARCH 2015
MAIN TRAILER: MARCH 31ST 2015

STAR WARS: THE FORCE AWAKENS

UK POSTER:                                                           US POSTER:

The UK poster has more writing displayed
Despite that and the UK poster being portrait, there are no differences.

UK TEASER TRAILER:



US TRAILER:



The US trailer has more dramatic music where as the UK trailer begins with silence and a 'humorous' moment. The UK trailer focuses more on the Star Wars soundtrack than other exciting music to build suspense.

There is more action involved in the US trailer which makes it more exciting and captivating (could create a bigger audience). The UK trailer makes the plot of the trailer more tame suggesting that the film needs to be watched to reveal the story line unlike US trailers.

The US trailer includes more narrative to reveal more about the characters and the plot unlike the UK trailer that tend to keep the narrative to a minimum only including what is necessary.

REVISION INFORMATION (AUD & INST)

STAR WARS: THE FORCE AWAKENS (the 7th instalment)

DIRECTOR: J.J Abrams

PRODUCER(s): ^^ Kathleen Kennedy, Bryan Burk

DISTRIBUTOR: Walt Disney Pictures

BUDGET: $306 mil (gross) $245 mil (net: when the taxes are taken off)

BOX OFFICE: $2.066 BIL

LOCATIONS: Pinewood Studios UK, Abu Dhabi as well as the UK, New Mexico USA, California and Iceland

SCREENS SHOWING ON OPENING WEEKEND: 4000+ USA

BRITISH?: YES

TECHNOLOGY:
Roger Guyett, a VFX supervisor said in the interview. "I work in this business and I'm shocked at how much we were able to just blur the line between the reality of shooting something and the stuff that we [added] later."

Kylo Ren exiting the ship with Stormtroopers

The ship and background were added digitally, but the sound stage featured both sound and exhaust from the ship

One of the aliens (actress Lupita Nyong'o) performed on set while wearing a suit designed to capture her movements and facial expressions.

"We used a lot of different techniques to allow her to play her part on set and interact with all the actors," Guyett said.

Similar to Jakku, Ridley actually scaled a large-scale replica of part of the First Order base.

The hangar (belonging to the First Order) was a mix of green screen and physical elements, with the TIE fighters (spaceships) and view of space added digitally.

Luke has a green screen glove which can be replaced with a prosthetic arm

The film was shot on Kodak film and with IMAX cameras

Shown in 2D 3D and Blu Ray
The film was shot on film so that elements of authenticity and tangibility are shown. 
Movies that use it benefit from its boutique, nostalgic visual quality, thus gaining a subtle yet distinct look. Johnson’s desire to stick with film most likely stems from his negative attitude toward CGI-overkill and digitally-dependent movies.

CAST:

Daisy Ridley

John Boega

Harrison Ford

Adam Driver

Oscar Isaac

Carrie Fisher

Mark Hamill

Domhnall Gleeson

Gwendoline Christie 

1) the issues raised by media ownership in contemporary media practice;

The Star Wars franchise was originally a part of Lucasfilms and then Lucasfilms sold the franchise to Disney so that more films could be guaranteed in the series as well as broadening the synergy of the film eg. merchandise. Star Wars have an array of video games for XBOX, PlayStation, Nintendo and PC; Angry Birds also released a Star Wars version of their game. 

2) the importance of cross media convergence and synergy in production, distribution and marketing;

Star Wars: The Force Awakens was long awaited and with it being the 7th installment it was an exciting event for the fans. High street clothing stores sell merchandise such as tshirts, bags, socks etc as well as there being stalls at Comicon.

3) the technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange;

The films are available on BluRay and DVD as well as being able to be streamed online. Soundtracks to the films are also available and you can download Darth Vader and Yoda voices for your SatNav.

4) the significance of proliferation in hardware and content for institutions and audiences;

Star wars uses new technology for their VFX (eg. CGI) and the films are available in 3D and IMAX

5) the importance of technological convergence for institutions and audiences;

Star Wars released multiple trailers online and many adverts were shown for it - especially on Disney Channel due to Disney's ownership over the franchise.

6) the issues raised in the targeting of national and local audiences (specifically, British) by international or global institutions; 

Star Wars - The Clone Wars on cartoon network to target younger audiences. The film was translated into other languages and showed subtitles for non- English speaking audiences 

7) the ways in which the candidates’ own experiences of media consumption illustrate wider patterns and trends of audience behaviour.

Star Wars dominated the Christmas period and saturated the screenings. Everyone was Star Wars mad. Also, people fell in love with BB8 and sales for BB8 toys went through the roof.

EX MACHINA:

DIRECTOR: Alex Garland

PRODUCER: DNA Films and FilmFour

DISTRIBUTOR: Universal Pictures

BUDGET: $15 mil

LOCATIONS: Pinewood Studios for 4 weeks, 2 weeks in Norway

TECHNOLOGY: Rotoscoping for AVA (cheaper than CGI) Sony F65 camera

SCREENS (OPENING WKND): 4

SCREENS (AT PEAK): 2004

BOX OFFICE: $36.9 mil

BRITISH?: YES

CAST: Domhnall Gleeson, Alicia Vikander and Oscar Isaac

1)the issues raised by media ownership in contemporary media practice;

Challenged traditional ways of marketing (viral)

2)the importance of cross media convergence and synergy in production, distribution and marketing;

two film companies coming together to create a bigger film

3)the technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange;

Rotoscoping, Tinder, Instagram

4)the significance of proliferation in hardware and content for institutions and audiences;

3D not as popular, not needed for this particular film

5)the importance of technological convergence for institutions and audiences;

Piggybacked Avengers

6)the issues raised in the targeting of national and local audiences (specifically, British) by international or global institutions;

Film buffs, SXSW - spread by word of mouth, doesn't fit the quadrant

7)the ways in which the candidates’ own experiences of media consumption illustrate wider patterns and trends of audience behaviour.

Streaming, intimate films, home watching.

MAD MAX: FURY ROAD

DIRECTOR: George Miller

PRODUCER: Doug Mitchell

DISTRIBUTOR: WARNER BROS

BUDGET: $150mil

LOCATIONS: Namibia. 

TECHNOLOGY: iPhone 6 slow mo camera, edge arm, greenscreen, polecats, Arri Alexa camras and Canons for the crash scenes

SCREENS (OPENING WKND): 12,000 in 48 countries, 3,702 USA

SCREENS (PEAK): 16,900

BOX OFFICE: Weekend $109 mil, total $375.8 mil

BRITISH?: YES

CAST: Tom Hardy, Charlize Theron, Nicholas Hoult

1)the issues raised by media ownership in contemporary media practice;

No script in prep for shooting, only storyboards. Miller had a 12 month delay so he could work on Happy Feet 2

2)the importance of cross media convergence and synergy in production, distribution and marketing;

Video game of mad max, $7 mil on tv adverts. promoted at the NBA playoffs and on MTV/Comedy central 

3) the technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange;

Edge arm was used to film the moving sequences, the slow mo camera for the guitar. Digital distribution 

4) the significance of the increasing amount in hardware and content for institutions and audiences;

Action films are the most successful (blockbusters). Films like that benefit from cinemas because of the sound systems and big screen

5) the importance of technological convergence for institutions and audiences;

the 4th installment, Japanese trailer as well as English 

6) the issues raised in the targeting of national and local audiences (specifically, British) by 

international or global institutions;

had a rep to live up to, no Mel Gibson

7) the ways in which the candidates’ own experiences of media consumption illustrate wider patterns and trends of audience behaviour.

Mad Max: Fury Road was very popular and was shown on many screens. Not much merchandise.

Digital Distribution

Why does Steve McQueen think digital is replacing film?
They're making money out of it
Which studio was first to announce that it would no longer make films using 'film'?
Paramount Pictures
What was the last 'film' to be shipped on 'film'?
Anchorman 2
What proportion of US cinemas have made the switch from 35mm to digital?
9/10 US cinemas
What was the first 'major' film to be distributed in digital format only?
The Wolf of Wall Street
What is the average cost of a digital projector?
Between $60,000 and $150,000 each
Why has the switch to digital meant that small independent cinemas have struggled?
Because they cannot afford digital projectors
Which major Hollywood director has attempted to make a stand for digital film?
Quinten Tarantino
How much did the US box office make in 2014?
$11 bil
How much did the home entertainment market (DVD, BluRay, Download etc) in 2014?
$18 bil
What was the increase in home entertainment revenue due to?
Fast food and soft drink sales
What was the first film to be shot entirely on digital?
Star Wars: Episode II – Attack of the Clones
What would have been the cost of shooting that film on digital?
$16,000
How much does it cost to produce and ship a film to a US cinema?
$1,500 to ship and print
What is the distribution benefit of digital?
It can be screened simultaneously across the planet due to its format
What happened to 'film' prints of Titanic?
They fell apart in the projectors
What has happened to the number of films made by Hollywood between 2006-2013?
The number of films made by Hollywood has fallen considerably – by 40 per cent between 2006 and 2013 because Independent film-makers still need rich patrons 
Why, according to Jan-Christoph Horak, is digital NOT immortal?
"There is no physical carrier on which you can put digital information that will last anywhere near as long as the analogue alternative.”
Why is advancing technology also a problem for digital storage?
The perishability of the physical equipment and that every 18 months or so, a new file format comes along to displace its predecessors and, as a result of this constant upgrade cycle, archivists face a kind of Sisyphean dilemma
How much,  according to Jan-Christoph Horak, could transferring one form of digital to another cost the film industry?
$10,000 and $20,000 per film
How much did the camera used on The Avengers cost?
£900
Apart from cost, what other benefits does digital offer to film makers?
Digital cameras can breed indiscipline on a film set. A flurry of ten or 20 won’t cost much more
How much has technicolour invested in digital post production?
They have invested more than $200m in digital post-production and visual effects facilities, including nine digital scanners that cost more than $1m each and are part of Technicolor’s “digital intermediate” process.
What is a DCP?
Digital Cinema Package. It involves a hard drive, roughly the size of a paperback, which is couriered to the theatre, where it is unpacked from its protective foam-lined case and slotted into a server that feeds a digital projector
What is the Electric Dusk drive-in?
It shows films on DVD

1. Sumarise the answers above into a 50 word explanation of the positive impact of digital distribution.

Digital distribution has allowed films to be streamed all over the globe. This is not only efficient, but also cheaper and more likely for a film to be found due to prints not getting lost like some of the older films. 

2. Sumarise the answers above into a 50 word explanation of the negative impact of digital distribution

The technology is constantly changing which means that it can be difficult to keep up to date. Also, the products can be deleted with one press of a button because they aren't in a physical form.